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  OUTSTANDING PRAISE FOR RHYS BOWEN

  AND HERMOLLY MURPHY MYSTERY SERIES

  IN DUBLIN’S FAIR CITY

  “Irrepressibly charming . . . One of the most entertaining of all historical mystery series.”

  —Booklist

  “Riveting . . . Bowen deserves kudos for her recreation of early 20th-century New York”

  —Publishers Weekly

  “Enjoyable charm and wit.”

  —Baltimore Sun

  “Molly is an indomitable creature . . . The book bounces along in the hands of Ms. Bowen and her Molly, and there is no doubt that she will be back causing trouble.”

  —Washington Times

  “The feisty Molly rarely disappoints in this rousing yarn seasoned with a dash of Irish history.”

  —Kirkus Reviews (starred review)

  “Readers will surely testify that Murphy has become one of their favorite characters . . . This book is a keeper.”

  —Tampa Tribune

  OH DANNY BOY

  “Molly is a smart, feisty, independent heroine . . . [an] appealing series.”

  —Booklist

  “Another outstanding mystery.”

  —Library Journal

  “Excellent.”

  —Toronto Globe and Mail

  “Bowen has created one of the most ferociously spunky heroines to grace the pages of a historical mystery series.”

  —Harriet Klausner’s Book Reviews

  “Beautifully constructed.”

  —Booklist

  “There’s a reason why Bowen gets nominated for so many awards. She’s just damn good . . . Books like [Oh Danny Boy] are the reason I love mysteries.”

  —CrimeSpreeMag.com

  IN LIKE FLYNN

  “Absorbing . . . well-plotted.”

  —Publishers Weekly

  “Bowen’s best.”

  —Toronto Globe & Mail

  “An evocatively recreated picture of New York City’s Greenwich Village in 1902 and the city’s rich upstate suburbs . . . [a] colorful series, a worthy extension of the Maan Meyers ‘Dutchman’ books about historical Gotham.”

  —Chicago Tribune

  FOR THE LOVE OF MIKE

  “Nail-biting suspense . . . Molly’s voice is a marvelous one to tell us her story.”

  —Mystery News

  “A lively period recreation . . . highly recommended.”

  —Library Journal

  “Molly grows ever more engaging against a vibrant background of New York’s dark side at the turn of the century.”

  —Kirkus Reviews

  DEATH OF RILEY

  “An evocative trip through old New York—including the poets, painters, playwrights, and private investigators of Greenwich Village, 1901—in the company of Irish immigrant Molly Murphy, a spirited and appealing guide.”

  —S. J. Rozan, author of Winter and Night

  “Rhys Bowen’s wit makes Death of Riley more than equal to her award-winning first book, Murphy’s Law.”

  —Maan Meyers,

  aka Martin and Annette Meyers, authors of the Dutchman series

  “A fresh and irrepressible new heroine.”

  —Romantic Times

  “Bowen nicely blends history and fiction . . . [a] light, romantic mystery.”

  —Publishers Weekly

  “Bowen’s highly detailed picture of New York at the turn of the century is a delight.”

  —Kirkus Reviews

  MURPHY’S LAW

  “History/mystery fans should add Molly to their list of characters to follow.”

  —Booklist

  “Entertaining.”

  —Ft. Lauderdale Sun-Sentinel

  “[We] look forward to Molly’s return.”

  —Chicago Tribune

  “Bowen tells a phenomenal story, and it will be a real treat to see what fate has in store for Molly and Daniel!”

  —Romantic Times (Top Pick)

  ALSO BY RHYS BROWN

  THE MOLLY MURPHY MYSTERIES

  In Dublin’s Fair City

  Oh Danny Boy

  In Like Flynn

  For the Love of Mike

  Death of Riley

  Murphy’s Law

  THE CONSTABLE EVANS MYSTERIES

  Evanly Bodies

  Evan Blessed

  Evan’s Gate

  Evan Only Knows

  Evans to Betsy

  Evan Can Wait

  Evan and Elle

  Evan Help Us

  Evans Above

  Evanly Choirs

  Tell Me,

  Pretty Maiden

  RHYS BOWEN

  St. Martin’s Paperbacks

  NOTE: If you purchased this book without a cover you should be aware that this book is stolen property. It was reported as “unsold and destroyed” to the publisher, and neither the author nor the publisher has received any payment for this “stripped book.”

  This is a work of fiction. All of the characters, organizations and events portrayed in this novel are either products of the author’s imagination or are used fictitiously.

  TELL ME, PRETTY MAIDEN

  Copyright © 2008 by Rhys Bowen.

  Excerpt from In a Gilded Cage copyright © 2009 by Rhys Bowen.

  Cover photo of background © Bettman / Corbis. Cover photo of woman by Bob Osonitch. Cover photo of background photo in frame © Stephen Toner / Getty Images.

  All rights reserved.

  For information address St. Martin’s Press, 175 Fifth Avenue, New York, NY 10010.

  Library of Congress Catalog Card Number: 2007042419

  ISBN: 0-312-94375-X

  EAN: 978-0-312-94375-2

  Printed in the United States of America

  St. Martin’s Press hardcover edition / March 2008

  St. Martin’s Paperbacks edition / March 2009

  St. Martin’s Paperbacks are published by St. Martin’s Press, 175 Fifth Avenue, New York, NY 10010.

  10 9 8 7 6 5 4 3 2 1

  To my son, Dominic, who is making his way in the hard world of musical theater, in the hopes that his mother will one day see him a Broadway star

  And with thanks, as always, to John, Clare, and Jane for their editing insights

  “Tell me, pretty maiden, are there any more at home like you?” “Oh yes, kind sir, there are a few. Kind sir, there are a few.”

  —“Tell Me, Pretty Maiden,” Florodora,

  1901 Broadway musical

  Table of Contents

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  Chapter Thirteen

  Chapter Fourteen

  Chapter Fifteen

  Chapter Sixteen

  Chapter Seventeen

  Chapter Eighteen

  Chapter Nineteen

  Chapter Twenty

  Chapter Twenty-One

  Chapter Twenty-Two

  Chapter Twenty-Three

  Chapter Twenty-Four

  Chapter Twenty-Five

  Chapter Twenty-Six

  Chapter Twenty-Seven

/>   Chapter Twenty-Eight

  Chapter Twenty-Nine

  Chapter Thirty

  Chapter Thirty-One

  Chapter Thirty-Two

  Chapter Thirty-Three

  Chapter Thirty-Four

  Chapter Thirty-Five

  Chapter Thirty-Six

  Chapter Thirty-Seven

  Chapter Thirty-Eight

  Chapter Thirty-Nine

  Chapter Forty

  Chapter Forty-One

  Chapter Forty-Two

  ONE

  New York City, December 1902

  My feet were freezing. We Irish have been known to embroider the truth, but on this occasion I was being literal. The boots leaked badly, letting in snow and slush, and I could no longer feel my toes. If I had been sensible, I would have gone home immediately, but I have never been known for being sensible. Besides, I was on a case. A good detective wouldn’t leave her post just because of a little frostbite.

  Winter had arrived in New York with sudden fury on the day after Thanksgiving, blanketing the city with snow and bringing traffic to a virtual standstill. Since then the roads and sidewalks had been shoveled and swept to make passage possible, but great mounds of snow and ice were piled in the gutters, and the wind that swept in off the Hudson cut through the warmest of winter coats. And this evening I wasn’t even wearing a coat. I was wearing a threadbare jacket, knee britches, and hobnail boots. My hair was piled under a cap and my face was dirty. I was, in fact, posing as a street urchin.

  It had seemed like a good idea at the time, when I put on the clothes in the warmth of my little house on Patchin Place. My assignment was to follow a certain Mr. Leon Roth and I had already learned the hard way that women who loiter alone on the city streets at night are likely to be arrested for prostitution. Street urchins, on the other hand, are plentiful and invisible. For good measure I took a broom with me and made halfhearted attempts at being a crossing sweeper while I watched and waited. I had actually picked up all of twenty cents for my pains. But I hadn’t expected Mr. Roth to take so long. And I was rapidly coming to the conclusion that no job was worth risking pneumonia.

  This had promised to be a straightforward assignment. A wealthy Jewish couple, the Mendelbaums, had hired me to check the credentials of the young man they wanted their daughter to marry. He had been produced by a matchmaker, which seemed to be normal for their tradition, and he seemed to possess all the qualities that would make an ideal husband. These qualities included a Yale education and a considerable private income. But New York was not the shtetl of their forebears, where everyone knew the habits of everyone else. These parents cared about their daughter and wanted to make sure that her intended harbored no secret vices—and was as rich as he claimed.

  I had taken on the job with enthusiasm. It was one I thought I could handle without danger, one not involving the sordid peeking and sneaking of a divorce case. Besides, the fee was generous and if I carried out my duties to my clients’ satisfaction, then they might well recommend me to their friends. It had been easy enough to check on his place of employment at a major shipping and importing company and to learn that he was expected to go far. I hadn’t yet managed to obtain the details of his bank accounts, not having had much opportunity myself to know the inner workings of banks.

  And now I was checking into his moral character, which was proving more interesting. I had stationed myself outside Mr. Roth’s address and watched and waited. He lived not too far from me, in an apartment hotel on Fifth Avenue. This was not the swank part of Fifth Avenue, up among the Vanderbilts and Astors on Central Park, but the lower part of that street, south of Union Square. It had once been the most fashionable address in the city, but not any longer. The big brownstone houses were mostly divided into apartments. Gone were the carriages and liveried footmen. It was still respectable but definitely not glamorous.

  The first few days of my task convinced me that Mr. Roth was also respectable but not glamorous. I had managed to follow him to the Knickerbocker Grill, where he met with other young men and drank nothing stronger than water, to the Manhattan Theater where he saw a production of A Doll’s House, by a Swedish playwright called Mr. Ibsen—by all accounts a rather gloomy sort of play if one could judge by the sober pictures outside the theater. I even followed him to Macy’s new department store where he bought a silk ascot.

  I was almost ready to report to the Mendelbaums that their daughter could marry Mr. Roth with confidence when he came out of his house in a great hurry one evening and hopped on the Broadway trolley. I lifted my skirts in unladylike manner and sprinted, managing to haul myself aboard the trolley at the last moment, and then alighted after him at Forty-second Street.

  As soon as his feet touched the cobbles, he took off at such a great pace that he had been swallowed up into the crowd by the time I managed to disembark—skirts and petticoats making it impossible to leap down from a vehicle the way he had done. It was a little late for theaters, but the street was still chock-a-block with diners emerging from restaurants, touts advertising new plays, newsboys shouting the latest headlines, hawkers, flower sellers, beggars, crossing sweepers. Since the sidewalks were still piled with snow and ice, the crowd was walking in the street, bringing carriages and cabs to a halt.

  Mr. Roth was heading west. I fought my way past the Victoria Theater and the Republic, with the electric glow from their marquees lighting up the street scene and making it seem quite merry. Then, on the other side of Seventh Avenue, I thought I caught another glimpse of his homburg, far ahead of me now and still moving toward the Hudson. It was then that my suspicions were roused. Of course I could I have given him the benefit of the doubt and believed that he was running a little late for a theater performance, but I couldn’t see any more theater marquees beyond this point. In fact the crowd had now thinned out and the street ahead looked decidedly darker and less savory.

  I walked more cautiously. It was rumored that Forty-second Street was rapidly becoming a den of vice. The better class of prostitutes was now moving away from the Lower East Side and brothels were now to be found side by side with theaters and restaurants, especially on the west side of Broadway. I wandered up and down for a while, hoping he might reemerge from some building, or that I might spot him in some restaurant, until I realized that I was also being observed. The constable patrolling his beat was eyeing me with suspicion as he passed me the first time. When he returned some half an hour later and I was still there he crossed and came over to me.

  “Waiting for someone, miss?” he asked, his hand idly fingering his nightstick.

  “Uh, yes. My cousin,” I said.

  “This is no place for a young girl at night,” he said. “If I were you I’d beat it while you’re safe. You look respectable enough, but my opinion of you might change if I find you here next time I come around.”

  I took the hint and went home. I had been arrested for prostitution once before while observing a house in a more respectable part of the city than this. A woman out unescorted after dark was always suspect in the eyes of the law, and I had no wish to spend another night in jail. I didn’t even have Daniel to bail me out these days, since he was still suspended from his duties with the New York police force, pending a trial, and was currently out of the city.

  On the way home a young boy swept the slush and muck for me to cross the street and then said, “Spare a nickel, Miss.”

  That gave me an idea. I had been in the middle of packing up a box of clothes to send to my former lodger Shamus O’Conner and his two children, Shamey and Bridie. They were now living in the country where Shamus was employed by a farmer and young Shamey was already helping him with the farm chores. It was an ideal situation for them, healthier and safer than life in the city, but I still missed them terribly. I had become used to young Shamey clattering down the stairs, yelling, “Molly, I’m fair starving again. Could I have some bread and jam?” And to Bridie snuggling close to me and taking my hand.

  Among the clothe
s I had been given, outgrown by a friend’s son, were britches and a jacket that were too big for Shamey. It occurred to me that I should put them to good use while he waited to grow into them. So the next day I acquired a newsboy’s cap and a pair of old boots from a pushcart on Hester Street, and the transformation was complete. When I went to observe Mr. Roth that evening, I was no longer a respectably dressed young lady called Molly Murphy, but one of a thousand street urchins, hoping to make a penny by sweeping the crossings clear of muck.

  It was too bad my assignment had coincided with the early snowstorm. It only took me a few minutes to feel profoundly sorry for the children who really had to face this weather in such rags. I felt profoundly sorry for myself, too, to tell you the truth. I would have gone home on the spot, but I was definitely on to something interesting.

  For the second night in a row, Mr. Roth had hurried to West Forty-second Street. What’s more I hadn’t lost him this time. I had kept pace with him all the way to the block between Eighth and Ninth avenues, where he had disappeared into a faceless building. An hour later he still hadn’t come out again. Forty-second wasn’t like Elizabeth Street, where girls sprawled on the stoops in provocative poses or called out ribald comments to passing men. These uptown houses of ill repute had discreet name plates: Fifi, or Madame Bettina. They could have been any normal apartment or office buildings. This particular one had no plate or card beside the door, just a dark narrow staircase leading up to God knows what. I hadn’t liked to follow him up there. I had an aversion to brothels since I was almost press-ganged into one. Besides, dressed as I was I would be tossed out again on my ear.